How To Perserve A Pencil Drawing On Canvas
Colored pencils are wonderful tools for creating artwork of all types. . . if you're doing a vignette-manner limerick, however, the last thing y'all want is to spend a lot of time on the background.
Today we're going to explore a few of the groundwork treatments that accept worked well for the type of portrait fine art I brand.
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Colored supports
The commencement, and most obvious choice, for a fast and easy background treatment is a colored support. I balked at trying colored paper for a while because I wasn't sure how it would work with colored pencils, simply I shouldn't have worried—information technology's dandy!
(And that was years ago when my choices were pretty much limited to regular paper and mat board.)
Today, there are a wide range of papers and mat boards available in acid-free, archival versions that not only look corking simply that assist preserve your work for years. In improver to a rainbow of colors, y'all also accept a pick of textures from very smooth (ideal for detail work) to high-textured surfaces. Other options are sanded papers, pastel and printmaking papers, even woods and other rigid supports.
To give you an case, here is a colored pencil painting on gray mat board. I added some slightly darker tones to the corners, but it would have worked even without that.
An boosted bonus with mat board is that yous tin can employ the aforementioned color and type of mat board when yous frame the slice, thereby creating a unified piece of work of art with museum quality framing.
Lite tints
Colored pencils are ideal for creating "whisper soft" tones and tints.
My favorite cartoon paper is white, only I rarely leave a white background in my finished piece of work anymore. The closest I become is a lightly tinted background like the one below.
Use a well-sharpened pencil and apply color with the side of the pencil using very light pressure—no more than than a two on a scale of 1 to 10. You want to about breathe the color onto the paper.
To get an even lighter "tint" or stain, use newspaper towel or a cotton fiber ball to alloy the colour. Fold a slice of paper towel into a small pad and rub it over the surface area. Use low-cal force per unit area for minimal blending or heavy force per unit area for more blending. Depending on the pressure level, it may await like yous've removed a lot of color, but don't worry. The color that is left will look almost like stained paper. You tin and then deepen the colour either by repeating the process with the aforementioned colour or with another color.
Some other choice is to brighten the color you desire to use on a piece of scrap paper, then rub it with a cotton brawl or slice of clean cloth to pick upward color. Rub the drawing paper with the cotton fiber ball or make clean material. Not much color will come off on the drawing paper, but it is possible to create tinted color fields with an almost ethereal expect.
Saturated colour
Sometimes a dark, bold colour is just what the doctor ordered.
Beginning with the paper of your pick, layer color over the background. You can begin with heavy pressure and use only one or two colors, or you can layer multiple colors and use heavier pressure with each colour.
With the unfinished prototype beneath, I used six colors beginning with the lightest (Limepeel) and ending with Blackness. Each color was applied with slightly more pressure and I concluded work by burnishing with the lightest colour.
Keep your brush handy as you layer color like this. Heavy pressure produces pencil crumbs, especially in the afterwards layers. Y'all don't want to smear or smudge the white areas of the subject, so brush the painting often to clear information technology of colored pencil crumbs. When you stop, you will take a highly polished, richly saturated background.
Watercolor colored pencil
Water soluble colored pencils are wonderful tools for paper tinting, whether you put it on wet or apply it dry out and wash over it. Y'all can tint the paper with a unmarried colour, producing a soft, "blooming" tint, or layer several colors for a more saturated tone.
Considering y'all're even so using colored pencil, all the usual methods of application use. Layering with light force per unit area and multiple layers, burnishing, or a combination tin exist blended with water to create a diversity of furnishings.
Watercolor "tricks" tin can likewise be used to create random patterns and interesting designs. For example, effort sprinkling a scrap of table salt into the wash on your newspaper and encounter what happens.
Mixed media
Ink or acrylic pigment are also bang-up ways to tone a groundwork. In both cases, you lot have numerous colors from which to choose. Simply pigment the background with your color of option and let it dry out thoroughly (I prefer overnight drying times myself).
India ink, which was used in the analogy below, is transparent, and then you'll need to apply multiple layers to get an fifty-fifty colour field.
And whether you apply ink or acrylic, make certain your back up is sturdy enough to withstand the dampness without excessive buckling, particularly with larger pieces.
Just for fun
If y'all're interested in creating some fun-loving, random colour fields as backgrounds, here'due south a technique that I guarantee will never to produce the same effect twice.
Fill a large plate or pan with a half inch of water. Driblet watercolor paint or acrylic paint into a couple places, then lay your paper onto the water. Don't let it sink in. . . you only want just enough surface contact for the paper to pick upwardly the swirls of color in the water. I've tried this with acrylics on ACEOs and the outcome tin can be delightfully random.
The abstract image shown above began with blue acrylic paint and was finished with colored pencil highlights one time the newspaper stale.
Most of the backgrounds shown in today's post were fast and easy. The only ones that required more an hour or two were the wet media options, and they just needed extra fourth dimension to dry out.
If you want to simplify the process fifty-fifty further, plan to do several backgrounds at a fourth dimension. Multiple sheets of paper or mat lath tin can exist prepared for work in one afternoon, leaving yous with a set up supply whenever inspiration strikes or a client calls.
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Source: https://emptyeasel.com/2012/05/21/fast-easy-background-options-for-colored-pencil-drawings/
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